AGENDA:
Continue discussions of Ragtime
How does Doctorow incorporate metaphors of imprisonment and false liberation into Ragtime? How does imprisonment manifest itself in the novel's characters, psychologically, economically, and physically?
How do some of the main characters serve allegorical roles? What movements or social trends are they intended to represent?
What questions and concerns does Doctorow raise about the nature of historical truth?
How does the struggle for stability and meaning manifest itself in the characters' thoughts and actions?
What is the role of the motion picture in Ragtime?
What is its significance as a cultural influence at the turn of the
century in the United States? How is the process of "duplication"
significant?
1. When the story opens, the narrator describes life in the early
1900s, noting that “There were no negroes. There were no immigrants.” Is
this description accurate? What might this statement propose about the
accuracy of historical accounts?
2. Why might the author have chosen to name the characters as he did?
Why do some of the characters have general names such as Mother’s
Younger Brother while others have proper names like Coalhouse Walker,
Jr.? Does this affect the way we relate to them?
3. Describe the narrator of the story. Can we be certain of who it
is, or does the point of view shift throughout the story? How does
Doctorow’s method of narration relate to historical texts?
4. Why did the author choose the title "Ragtime" for this novel? What
is ragtime music? What are its origins and how does it relate to other
genres of music? What does it reveal about the society in which it was
created? What literary devices does the author use to reference or
re-interpret ragtime?
5. Why might the author have chosen not to use quotation marks? Does this affect the rhythm of the story?
6. Describe the setting of Ragtime. When and where does the
story take place? Why might an author have chosen to write about this
time period and these places and events?
7. When was Ragtime written? What was happening at the time?
How might readers then have related to the story? How do we relate to
it today? Is it simply a historical narrative or does it reveal things
about contemporary society?
8. Why do you think that Mother’s Younger Brother chose to help Coalhouse Walker, Jr.?
9. Doctorow chooses to incorporate historical figures in a fictional
context. Who does he include? Why might he have chosen to include these
people? Does his portrayal of them match historical accounts?
10. The story takes place during a time of technological progress and
industrialization. What are some of the innovations represented in the
book? How does their presence affect the characters? Is the impact good
or bad? Explain.
11. The quest for freedom and peace is a key theme of Ragtime. How does the author use Harry Houdini to illuminate the complexity of this quest?
12. While the characters represent different classes and races, they
share much in common. Discuss some of these commonalities. How are the
characters different?
13. What imagery does the author use in the first chapter to set the
scene? What does it tell us about life in the early 1900s? What might
the purpose be in revealing the murder of the architect Stanford White?
Does it change our initial impression of American life during this time?
14. When Evelyn Nesbit meets The Little Girl in the Pinafore, she is
tied with rope to her father’s wrist so she won’t be stolen. How does
the author make connections between Evelyn, The Little Girl, and Mameh?
Why is Evelyn drawn to Tateh and The Little Girl?
15. When Father returns to New Rochelle, the mirror “gave back the
gaunt, bearded face of a derelict, a man who lacked a home.” What does
this mean? What has changed since Father left home? How does he adapt to
these changes?
16. Why might J.P. Morgan be so fascinated with Egyptology? Do his
fortune and his collection of valuable objects bring him peace? Why do
you think he invites Henry Ford to meet with him?
17. The notion of value is prominent in the book. What do each of the
characters value? What consequences does this have for them?
18. Does Coalhouse Walker, Jr. obtain justice? What does he sacrifice
in the process? How do his actions affect those around him? How does
this scenario relate to the justice system and civil rights struggles in
today’s society?
19. Why does Tateh reinvent himself as a baron? What does it mean for
his identity? How does the style and imagery of the novel relate to the
advent of cinema? How does this invention change our perception of
history?
20. Many of the characters struggle for what they believe is right.
Are they successful? How are these struggles tied in to the notion of
identity or societal definitions of identity?
21. )The author uses his characters allegorically. What groups are
represented? Do you feel the portrayals are accurate? Why or why not?
22. The author presents many representations of family and
relationships. Describe some. Which are most successful? Why do you
think this is?
23. Why do you think that Mother and Tateh end up together? What
draws them together? How would this relationship have been viewed in the
early 1900s? How would it be viewed today?
24. Why do you think that the author chose the quotation by Scott Joplin as the novel’s epigraph? What does it signify?
(Questions from Random House "Teacher's Guide.)
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