Monday, December 14, 2015

The Wasteland

http://theotherpages.org/poems/eliot01.html

Modernist short stories

Eliot, O'Connor and Hemingway

T. S. Eliot (1888-1965)



Thomas Stearns Eliot OM (September 26, 1888 – January 4, 1965) was an American-born English poet, playwright, and literary critic, arguably the most important English-language poet of the 20th century.[3] The poem that made his name, The Love Song of J. Alfred Prufrock—started in 1910 and published in Chicago in 1915—is regarded as a masterpiece of the modernist movement, and was followed by some of the best-known poems in the English language, including Gerontion (1920), The Waste Land (1922), The Hollow Men (1925), Ash Wednesday (1930), and Four Quartets (1945). He is also known for his seven plays, particularly Murder in the Cathedral (1935). He was awarded the Nobel Prize in Literature in 1948.


Born in St. Louis, Missouri, and educated at Harvard, Eliot studied philosophy at the Sorbonne for a year, then won a scholarship to Oxford in 1914, becoming a British citizen when he was 39. "[M]y poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England," he said of his nationality and its role in his work. "It wouldn't be what it is, and I imagine it wouldn't be so good ... if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America." Eliot completely renounced his citizenship to the United States and said: "My mind may be American but my heart is British".


Flannery O'Connor (1925-1964)
Mary Flannery O'Connor (March 25, 1925 – August 3, 1964) was an American novelist, short-story writer and essayist. An important voice in American literature, O'Connor wrote two novels and 32 short stories, as well as a number of reviews and commentaries. She was a Southern writer who often wrote in a Southern Gothic style and relied heavily on regional settings and grotesque characters. O'Connor's writing also reflected her own Roman Catholic faith, and frequently examined questions of morality and ethics.

Regarding her emphasis of the grotesque, O'Connor said: "anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic."[6] Her texts usually take place in the South and revolve around morally flawed characters, while the issue of race often appears in the background. One of her trademarks is foreshadowing, giving a reader an idea of what will happen far before it happens. Most of her works feature disturbing elements, though she did not like to be characterized as cynical. "I am tired of reading reviews that call A Good Man brutal and sarcastic," she writes. "The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror."
Her two novels were Wise Blood (1952) and The Violent Bear It Away (1960). She also published two books of short stories: A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (published posthumously in 1965).The Flannery O'Connor Award for Short Fiction, named in honor of O'Connor by the University of Georgia Press, is a prize given annually to an outstanding collection of short stories. O'Connor was the first fiction writer born in the twentieth century to have her works collected and published by the Library of America


 

 Ernest Hemingway (1899-1961) 


Ernest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American author and journalist. His distinctive writing style, characterized by economy and understatement, influenced 20th-century fiction, as did his life of adventure and public image. He produced most of his work between the mid-1920s and the mid-1950s. He won the Nobel Prize in Literature in 1954. Hemingway's fiction was successful because the characters he presented exhibited authenticity that resonated with his audience. Many of his works are classics of American literature. He published seven novels, six short story collections, and two non-fiction works during his lifetime; a further three novels, four collections of short stories, and three non-fiction works were published posthumously.
Hemingway was born and raised in Oak Park, Illinois. After leaving high school he worked for a few months as a reporter for The Kansas City Star, before leaving for the Italian front to become an ambulance driver during World War I, which became the basis for his novel A Farewell to Arms. He was seriously wounded and returned home within the year. In 1922 Hemingway married Hadley Richardson, the first of his four wives, and the couple moved to Paris, where he worked as a foreign correspondent. During his time there he met and was influenced by modernist writers and artists of the 1920s expatriate community known as the "Lost Generation". His first novel, The Sun Also Rises, was written in 1924.

After divorcing Hadley Richardson in 1927 Hemingway married Pauline Pfeiffer; they divorced following Hemingway's return from covering the Spanish Civil War, after which he wrote For Whom the Bell Tolls. Martha Gellhorn became his third wife in 1940, but he left her for Mary Welsh Hemingway after World War II, during which he was present at D-Day and the liberation of Paris.
Shortly after the publication of The Old Man and the Sea in 1952 Hemingway went on safari to Africa, where he was almost killed in a plane crash that left him in pain or ill-health for much of the rest of his life. Hemingway had permanent residences in Key West, Florida, and Cuba during the 1930s and '40s, but in 1959 he moved from Cuba to Ketchum, Idaho, where he committed suicide in the summer of 1961.

Friday, December 11, 2015

Great Gatsby

AGENDA:

Quiz on Vocab. Ch. 4-6

Discussion of handouts

Thursday, December 10, 2015

The Great Gatsby

Agenda:

Go to the Big Read
http://www.neabigread.org/books/greatgatsby/

Listen to the audio introduction.

Introduction to the Book

F. Scott Fitzgerald's 1925 novel The Great Gatsby is a tragic love story, a mystery, and a social commentary on American life. Although it was not a commercial success for Fitzgerald during his lifetime, this lyrical novel has become an acclaimed masterpiece read and taught throughout the world.
Unfolding in nine concise chapters, The Great Gatsby concerns the wasteful lives of four wealthy characters as observed by their acquaintance, narrator Nick Carraway. Like Fitzgerald himself, Nick is from Minnesota, attended an Ivy League university, served in the U.S. Army during World War I, moved to New York after the war, and questions—even while participating in—high society.
Having left the Midwest to work in the bond business in the summer of 1922, Nick settles in West Egg, Long Island, among the nouveau riche epitomized by his next-door neighbor Jay Gatsby. A mysterious man of thirty, Gatsby is the subject of endless fascination to the guests at his lavish all-night parties. He is rumored to be a hero of the Great War. Others say he served as a German spy. Gatsby claims to have attended Oxford University, but the evidence is suspect. As Nick learns more about Gatsby, every detail about him seems questionable, except his love for the charming Daisy Buchanan.
Jay Gatsby's decadent parties are thrown with one goal: to attract Daisy, who lives across the bay in the more fashionable East Egg. From the lawn of his sprawling mansion, Gatsby can see the green light glowing on her dock, which becomes a symbol in the novel of an unreachable treasure, the "future that year by year recedes before us."
Though Daisy is a married socialite and a mother, Gatsby still worships her as his "golden girl." They first met when she was a young lady from an affluent family and he was a working-class military officer. Daisy pledged to wait for his return from the war. Instead she married Tom Buchanan, a wealthy classmate of Nick's. Having obtained a great fortune, Gatsby sets out to win her back again.
A profound indictment of class privilege in the Jazz Age and beyond, The Great Gatsbyexplores the conflict between decency and self-indulgence. In the novel's conclusion, the characters collide, leaving human wreckage in their wake.
"At his lips' touch she blossomed for him like a flower and the incarnation was complete."
— from The Great Gatsby

Major Characters in the Book

Nick Carraway
Nick, a young Midwesterner educated at Yale, is the novel's narrator. When he moves to the West Egg area of Long Island, he joins the lavish social world of Tom, Jordan, Gatsby, and his cousin Daisy.
Jay Gatsby
The handsome, mysterious Gatsby, who lives in a mansion next door to Nick's cottage, is known for his lavish parties. Nick, whom he trusts, gradually learns about Gatsby's past and his love for Daisy.
Daisy Buchanan
Beautiful, charming, and spoiled, Daisy is the object of Gatsby's love. Her caprice and materialism lead her to marry Tom Buchanan.
Tom Buchanan
From an enormously wealthy Chicago family, Tom is a former Yale football star who sees himself at the top of an exclusive social hierarchy. He is conceited, violent, racist, and unfaithful.
Jordan Baker
Daisy's friend Jordan epitomizes the modern woman of the 1920s. A liberated, competitive golfer, she is firmly established in high society. She both attracts and repels Nick as a romantic interest.
George Wilson
The owner of an auto garage at the edge of the valley of ashes, George finds his only happiness through his faithless wife, Myrtle.
Myrtle Wilson
Myrtle dreams of belonging to a higher social class than George can offer. Vivacious and sensual, she hopes her adulterous affair will lead to a life of glamour.

Wednesday, December 9, 2015

Week of Dec. 8-11 Modernist Short Stories

AGENDA:

Read and discuss:

"A Rose for Emily"  by William Faulkner
"A Good Man is Hard to Find"  by Flannery O'Connor

"A Clean Well-Lighted Place" by Ernest Hemingway
"A Worn Path" by Eudora Welty


Tuesday, November 24, 2015

AP PAPER #2 As I Lay Dying

AP Paper #2 As I Lay Dying

Essential Question:   What is each character's role in the multiple perspective novel As I Lay Dying?
(Focus on your own character for purposes of the paper). 


TASK:
L1. After reading William Faulkner’s As I Lay Dying, write an essay that describes the “journey” your character takes from the beginning of the novel to the end (characterization) and addresses the essential question (each character’s role in a multiple perspective novel).   Support your discussion with evidence from the text (use important text-based quotes) and be sure to use MLA citation and style.
L2. Why did Faulkner tell the story of the Bundrens from multiple perspectives? What effect does it have on the reader?
Your essay should be 4-5 pages, 12 pt. font (Times New Roman preferable), double-spaced, 1 inch margins.
Use your notes and the guiding questions to develop your essay.  Be sure to edit and proofread.

DUE: Friday, Dec. 4

Tuesday, November 17, 2015

Synthesis Essay


Writing the Synthesis EssayWriting the Synthesis Essay



image
The AP English Language Synthesis Essay


First and foremost: The synthesis question requires a PERSUASIVE ARGUMENT. You are presenting your opinion in response to a given question; however, unlike the free-response question, you must use the facts and ideas presented in the provided sources.

Use the sources to support or augment your OWN argument. Do not summarize the sources and allow those writers to speak for themselves—you are using what they say for your OWN purposes.


Basic Essay Structure

KEY: Argue your own idea, using your own reasons and reasoning—but you must use evidence from the provided sources.

Introduction:
  1. Open with an engaging hook.
  2.  Identify/clarify the issue at hand.
  3. Present a clear, direct thesis statement.

Body Paragraphs:
  1. Topic sentence: Give one reason in support of your thesis.
  2. Explain as necessary.
  3. Present specific supporting evidence (viz., quotes from the provided sources—but you may also bring in other evidence).
  4. All sources are documented.
  5. The writer explains the significance of the specific supporting evidence (e.g., what does the evidence show or suggest as true?)

Concluding Paragraph:
  1. Draw further significance from the reasons and evidence presented.
  2. Bring the paper to a thoughtful ending. (Be philosophical! Show your wisdom!)


    http://www.ehow.com/how_8462358_write-english-language-synthesis-paper.html

Tuesday, November 10, 2015

THEMES IN AS I LAY DYING

AGENDA:

EQ: What are some of the major themes in the novel?

HANDOUT: Shmoop Themes and Questions

ACTIVITY: Small group discussion and whole class share out of 3 of the themes (MORTALITY, FAMILY, SUFFERINGING)
Cite text evidence for claims!

As I Lay Dying suggests that dying is a relief from the suffering of life. Religious characters in the novel believe that, because death is a reward, it provides the motivation to live one’s...

Family

Family is not a pleasant topic in As I Lay Dying. Poor or no communication creates intense barriers of misunderstanding and resentment between family members, but particularly siblings who are riva...

Suffering

Suffering is very much a part of every day life in As I Lay Dying. The novel tells the story of a poverty-stricken family traveling to bury their mother during the 1920s in Mississippi. Times are t...

Women and Femininity

Women have it rough in As I Lay Dying. Their basic role in life is to have babies, which makes it difficult to establish a personal and individual identity, at least for one woman in particular. Th...

Religion

Religion is in many ways mocked by As I Lay Dying. The story is an ironic twist of the classic quest – a journey without a purpose, confession without redemption. Divine justice is never just...

Duty

As I Lay Dying explores obligation to the family as well as to honor and principles. But the story’s principle plot line – a family’s lengthy journey to town from the country R...

Versions of Reality

As I Lay Dying is written in multiple first-person narratives. Every new section is a new version of reality, particularly noticeable when the narratives overlap and cover the same event two differ...

Poverty

As I Lay Dying tells the story of a poverty-stricken family experiencing disaster after disaster in Mississippi in the 1920s. Every incident is made worse by the fact that they have no money. Many...


HOMEWORK:  Read to pg. 140 and study vocabulary (see prevous post)

Vocabulary As I Lay Dying

hale

exhibiting or restored to vigorous good health

dissociated

having had a relation or connection broken

trifling

lacking in significance or worth

irrevocable

impossible to retract or revoke

censure

harsh criticism or disapproval

rapt

wholly absorbed as in thought, deeply moved

runnel

a small stream

perverse

marked by immorality, resistant to guidance or discipline

lowing

making the throat noise of a cow

flouted

treated with contemptuous disregard

bereavement

state of sorrow over the death or departure of a loved one

gaunt

very thin especially from disease or hunger or cold

abject

most unfortunate or miserable, showing humiliation, submissiveness, utter resignation or hopelessness

cessation

a stopping

approbation

official recognition or approval

timbre

the distinctive property of a complex sound

precursor

an indication of the approach of something or someone, a person who goes before or announces the coming of another

ubiquity

the state of being everywhere at once (or seeming to be everywhere at once)

maul

a heavy long-handled hammer used to drive stakes or wedges, injure badly by beating, split (wood) with a maul and wedges

portentous

puffed up with vanity, of momentous or ominous significance

nihilist

one who supports a viewpoint that traditional values and beliefs are unfounded and that existence is senseless and useless

opaque

not clear, not clearly understood or expressed

irremediable

impossible to remedy or correct or redress

composite

consisting of separate interconnected parts

keen

having a sharp cutting edge or point, as physically painful as if caused by a sharp instrument

sibilance

a sound having, containing, or producing the sound of the s or the sh in sash

travail

hard work, to labor hard

fulcrum

the pivot about which a lever turns

crest

the top point of a mountain or hill

ethics

moral values and rules, ideas of right and wrong

implacable

impossible to appease

reproach

rebuke or criticism, disgrace or shame, express criticism towards