Friday, February 7, 2014

Good afternoon everyone! Happy Friday!!











 

AGENDA:

1. We're going to revisit the conversation that we had at the end of class yesterday about feminist criticism.

2. We'll be doing a mini-lesson on Part 1 of They Say, I Say by Gerald Graff and Cathy Birkenstein.

CHAPTER 1: STARTING WITH WHAT OTHERS ARE SAYING
  • When you write, you are entering an academic conversation
  • A writer needs to clearly indicate both their thesis AND the larger conversation the thesis is responding to.
    • Explain what you are responding to before offering your response
  • Summarize what you're responding to first, briefly because you will elaborate later, then state your own position as soon as possible.
  • Ways to introduce what "they say"
    • Illustrative quote
    • Revealing fact or statistic
    • Relevant anecdote
CHAPTER 2: THE ART OF SUMMARIZING
  • Summarizing: any information from others that you present in your own words (including paraphrasing)
    • Paraphrasing: your own rendition of essential information and ideas expressed by someone else, presented in a new form; more detailed than a summary
    • Summarizing: a brief statement or account of the main points of something
  • In a summary, you need to:
    • Balance what the original author is saying with what your own focus is
    • Be true to what the author is saying (outward) and what they say that interests you (inward)
  • Playing the "believing game": you inhabit the world view of those of whose conversation you're entering
    • If you do it WELL, your readers will not be able to tell if you agree or disagree with the author yet.
    • If you do it POORLY, your summary will be biased and your credibility with readers will be undermined.
  • GOOD SUMMARY represents what the original author says fairly while spinning the focus of the summary to fit your own agenda
    • Align what they say with what you say
  • Satirical Summary
    • A writers deliberately give his own spin to someone else's argument in order to reveal the glaring shortcomings of the original author's writing.
      • Let the summarized argument condemn itself by using its own words against itself.
  • What to AVOID when summarizing:
    • "Closet cliche syndrome": familiar cliche is mistaken and summarized as the author's view
    • "List summaries": inventory of the author's various points without focusing on his overall claim
    • Boilerplate formulas: "X says" etc.
  • What to DO when summarizing:
    • Use action verbs
CHAPTER 3: THE ART OF QUOTING
  • Main Problem: thinking that quoting speaks for itself, not understanding what is quote, and having trouble explaining what the quote means.
  • When quoting:
    • CHOOSE WISELY
      • Make sure the quote supports your argument
      • Find a thesis first then find quotes that best support it
    • FRAME THE QUOTE
      • Questions to ask: whose quote is it, what does the quote mean, how does it relate to your own text/thesis
        • Always connect what they say to what you say!
      • Sandwich the quote
        • Introduction of the quote (top bread slice)
          • Who is speaking, set up of what the quote is saying
        • The actual quote (meat)
        • Explanation of quote (bottom bread slice)
          • Why is the quote important, how does it relate to your thesis
  • Blend the author's words with your own
    • "Echo" the author's language while moving the discussion towards your point/thesis
  • RULE OF THUMB FOR QUOTE ANALYSIS
    • It is better to over-analyze a quote than under-analyze a quote
    • Your analysis should AT LEAST be as long or longer than the length of the quote
      • Ex) 4 lines of quote = 4 or more lines of analysis

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