Ragtime is famous for the number of its characters. Doctorow  has borrowed a score of names from history, and added several more  figures from his own imagination. The fictional characters belong to  three different families who interact and ultimately become one family  in the novel. At the beginning the parents of the narrator are only  identified as Father and Mother. This family is a stereotype of  self-satisfaction and patriotism in early twentieth-century America.  Immigrants and minorities are beyond its field of vision. The second  family is Tateh, Mameh, and their little girl: impoverished Jews who  have recently come from Latvia to the tenements of New York City. Tateh  is a man of fierce pride, integrity, and talent. The third family  includes a black ragtime pianist, Coalhouse Walker, the woman he is  never able to marry, and their illegitimate son. Coalhouse Walker  becomes the dominant character in the second half of the novel when he  threatens to destroy the Morgan Library in New York in order to protest  racial injustice. 
The characters with names like Henry Ford and J, P. Morgan are  caricatures of history. Doctorow trades on the familiarity of their  names, and connects them with the world of his fiction. Most of the  historical figures only make cameo appearances in the novel, but a few  like Emma Goldman and Houdini have important roles. Emma Goldman is  agitating for a new kind of political and economic freedom, especially  for women, and Houdini represents a tour de force of magic and illusion.  Neither feels successful in the novel, but the narrator's mother does  learn by reading a work, by Emma Goldman, and the narrator himself does  meet and appreciate the great Houdini.
 
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