AGENDA:
READING and DISCUSSION: Read and discuss Gloria Naylor's "The Meaning of a Word" and Maya Angelou in The Bedford Reader
The AP English Language and Composition course is designed to enable students to become skilled readers and writers in diverse genres and modes of composition. As stated in the Advanced Placement Course Description, the purpose of the Language and Composition course is “to enable students to read complex texts with understanding and to write papers of sufficient richness and complexity to communicate effectively with mature readers” (The College Board, May 2007, May 2008, p.6).
Friday, October 31, 2014
Thursday, October 30, 2014
Zora Neale Hurston/Alice Walker/Dick Gregory
AGENDA:
Read and discuss "How It Feels to be Colored Me," "Beauty: When the Other Dancer is the Self"
and "Shame"
Read and discuss "How It Feels to be Colored Me," "Beauty: When the Other Dancer is the Self"
and "Shame"
Monday, October 27, 2014
Thursday, October 23, 2014
The Bluest Eye/Cholly and Soaphead Church Discussion
AGENDA:
EQ: How do these sections of the book contribute to Morrison's overall themes of race and identity?
CLOSE READING: Using the study guide questions and the conversational roundtable organizer, examine the following sections of the novel in small group discussions for 15 minutes.
CHOLLY AND FATHERHOOD--searching for his father 155-158
CHOLLY AND FREEDOM/THE RAPE--159-163
SOAPHEAD CHURCH AND PECOLA AND THE DOG--172-176
SOAPHEAD CHURCH'S LETTER TO GOD/GRANTING PECOLA BLUE EYES 176-183
Find key passages that illustrate Morrison's themes of race and identity.
Share out to the class.
HMWK: Quiz tomorrow on vocabulary. Practice tests on quizlet.
Finish reading the book, Projects due on Monday
EQ: How do these sections of the book contribute to Morrison's overall themes of race and identity?
CLOSE READING: Using the study guide questions and the conversational roundtable organizer, examine the following sections of the novel in small group discussions for 15 minutes.
CHOLLY AND FATHERHOOD--searching for his father 155-158
CHOLLY AND FREEDOM/THE RAPE--159-163
SOAPHEAD CHURCH AND PECOLA AND THE DOG--172-176
SOAPHEAD CHURCH'S LETTER TO GOD/GRANTING PECOLA BLUE EYES 176-183
Find key passages that illustrate Morrison's themes of race and identity.
Share out to the class.
HMWK: Quiz tomorrow on vocabulary. Practice tests on quizlet.
Finish reading the book, Projects due on Monday
Monday, October 20, 2014
The Bluest Eye Vocabulary/Reading Schedule Week 10/20-10/24
Week of 10/20-10/24
10/20 Discuss Bluest Eye Winter/Spring sections Maureen Peel, Geraldine
10/21 Discuss Pauline section, Read Cholly section (see handouts)
10/22 Discuss Pauline section cont.; Begin discussing Cholly section; Read Soaphead Church section
10/23 Discuss Cholly section and Soaphead Church; Read ending of novel
10/24 Quiz on The Bluest Eye vocabulary (see below--31 words); Read aloud the "Pecola has blue eyes" section
The Bluest Eye projects are due Monday for presentation!
10/20 Discuss Bluest Eye Winter/Spring sections Maureen Peel, Geraldine
10/21 Discuss Pauline section, Read Cholly section (see handouts)
10/22 Discuss Pauline section cont.; Begin discussing Cholly section; Read Soaphead Church section
10/23 Discuss Cholly section and Soaphead Church; Read ending of novel
10/24 Quiz on The Bluest Eye vocabulary (see below--31 words); Read aloud the "Pecola has blue eyes" section
The Bluest Eye projects are due Monday for presentation!
- swaddlewrap in swaddling clothes
"Swaddling clothes" are for babies. Velvet, fur, and pleats are not babyish, but the image of Maureen Peal being swaddled in her clothes emphasizes a wealth that allows parents to pamper their children. It also brings up the image of baby dolls and reminds readers of what Claudia did to them.
She was rich, at least by our standards, as rich as the richest of the white girls, swaddled in comfort and care. - genuflectbend the knees and bow in a servile manner
Although the Latin "genu" means "knee" and "flectere" means "to bend", a person does not have to bend a knee to show a respectful or servile attitude. Like the girls in the example sentence, she can use her eyes to genuflect.
Black boys didn’t trip her in the halls; white boys didn’t stone her, white girls didn’t suck their teeth when she was assigned to be their work partners; black girls stepped aside when she wanted to use the sink in the girls’ toilet, and their eyes genuflected under sliding lids. - fastidiousgiving careful attention to detail; hard to please; excessively concerned with cleanliness
She never had to search for anybody to eat with in the cafeteria—they flocked to the table of her choice, where she opened fastidious lunches, shaming our jelly-stained bread with egg-salad sandwiches cut into four dainty squares, pink-frosted cupcakes, stocks of celery and carrots, proud, dark apples. - bemusedperplexed by many conflicting situations or statements; filled with bewilderment
Frieda and I were bemused, irritated, and fascinated by her. - equilibriuma sensory system located in structures of the inner ear that registers the orientation of the head
The given definition focuses on physical balance but equilibrium can also refer to emotional or mental balance. Because of the lack of "equality of distribution" (another definition of "equilibrium") in wealth and attention, Maureen Peal's presence throws Claudia and Frieda off balance.
We looked hard for flaws to restore our equilibrium, but had to be content at first with uglying up her name, changing Maureen Peal to Meringue Pie. - epiphanya divine manifestation
Later a minor epiphany was ours when we discovered that she had a dog tooth—a charming one to be sure—but a dog tooth nonetheless. - hostilityviolent action that is hostile and usually unprovoked
But we had to do it alone, for none of the other girls would cooperate with our hostility. - haughtinessoverbearing pride evidenced by a superior manner toward inferiors
And when I thought of the unearned haughtiness in her eyes, I plotted accidental slammings of locker doors on her hand. - extemporizeperform without preparation
They had extemporized a verse made up of two insults about matters over which the victim had no control: the color of her skin and speculations on the sleeping habits of an adult, wildly fitting in its incoherence. - scornlack of respect accompanied by a feeling of intense dislike
They seemed to have taken all of their smoothly cultivated ignorance, their exquisitely learned self-hatred, their elaborately designed hopelessness and sucked it all up into a fiery cone of scorn that had burned for ages in the hollows of their minds—cooled—and spilled over lips of outrage, consuming whatever was in its path. - macabreshockingly repellent; inspiring horror
They danced a macabre ballet around the victim, whom, for their own sake, they were prepared to sacrifice to the flaming pit. - animatedhaving life or vigor or spirit
While Frieda and I clucked on about the near fight, Maureen, suddenly animated, put her velvet-sleeved arm through Pecola’s and began to behave as though they were the closest of friends. - placidlyin a quiet and tranquil manner
Maureen disappeared into the store with Pecola. Frieda looked placidly down the street; I opened my mouth, but quickly closed it. - arsenalall the weapons and equipment that a country has
We chanted this most powerful of our arsenal of insults as long as we could see the green stems and rabbit fur. - antagonizeprovoke the hostility of
Her pain antagonized me. - relevancethe relation of something to the matter at hand
To the nine and ten year old Claudia and Frieda, "wisdom, accuracy, and relevance" are heavy words that they believe in. To the author (and possibly Claudia as the older narrator), the triad of words carries a mocking tone, because it is being used to describe a white girl's angry claims that she is cute and that Claudia and Frieda are black and ugly.
We were sinking under the wisdom, accuracy, and relevance of Maureen’s last words. If she was cute—and if anything could be believed, she was—then we were not. - guilelessfree of deceit
Guileless and without vanity, we were still in love with ourselves then. - gainfulyielding a fair profit
Such girls live in quiet black neighborhoods where everybody is gainfully employed. - shrillbeing sharply insistent on being heard
They are not fretful, nervous, or shrill; they do not have lovely black necks that stretch as though against an invisible collar; their eyes do not bite. - thriftextreme care in spending money; reluctance to spend money unnecessarily
Here they learn the rest of the lesson begun in those soft houses with porch swings and pots of bleeding heart: how to behave. The careful development of thrift, patience, high morals, and good manners. - dissolvebecome or cause to become soft or liquid
Wherever it erupts, this Funk, they wipe it away; where it crusts, they dissolve it; wherever it drips, flowers, or clings, they find it and fight it until it dies. - enunciationthe articulation of speech regarded from the point of view of its intelligibility to the audience
The laugh that is a little too loud; the enunciation a little too round; the gesture a little too generous. - inviolableimmune to attack; incapable of being tampered with
What they do not know is that this plain brown girl will build her nest stick by stick, make it her owninviolable world, and stand guard over its every plant, weed, and doily, even against him. - surreptitiousmarked by quiet and caution and secrecy; taking pains to avoid being observed
He must enter her surreptitiously, lifting the hem of her nightgown only to her navel. - ostensiblyfrom appearances alone
He must rest his weight on his elbows when they make love, ostensibly to avoid hurting her breasts but actually to keep her from having to touch or feel too much of him. - constancyfaithfulness and dependability in personal attachments (especially sexual fidelity)
Another definition of "constancy" is "the quality of being enduring and free from change"--this would also fit the example sentence, although it would change the tone of the triad. With the first definition, "order, precision, and constancy" would be three positive qualities. With the second definition, they would be three qualities that the author is mocking. Both tones apply and depend on the perspective of the colored woman, her cat, or the author.
A cat, perhaps, who will love her order, precision, and constancy; who will be as clean and quiet as she is. - satietythe state of being satisfactorily full and unable to take on more
As long as his needs were physical, she could meet them—comfort and satiety. - erodebecome ground down or deteriorate
The line between colored and nigger was not always clear; subtle and telltale signs threatened toerode it, and the watch had to be constant. - unabashednot embarrassed
Eyes that questioned nothing and asked everything. Unblinking and unabashed, they stared up at her. The end of the world lay in their eyes, and the beginning, and all the waste in between. - idlebe idle; exist in a changeless situation
In the long, hot days, they idled away, picking plaster from the walls and digging into the earth with sticks. They sat in little rows on street curbs, crowded into pews at church, taking space from the nice, neat, colored children;
Friday, October 17, 2014
THEY SAY/I SAY--Intros and hooks
AGENDA:
20 Top Figurative Language Terms Quiz
Work on intros for Argumentation (Persuasive Essay) Writing
https://resources.oncourse.iu.edu/access/content/user/skaczur/portfolio2/Persuasive%20Writing.pdf
- Agree--But With a Difference
- You need to do more than simply echo the views that you agree with; bring something new and fresh to the conversation.
- Open up some difference or contrast between your position and the one you're agreeing with.
- Point out unnoticed implications.
- Explain something that needs to be better understood.
- Remember: When you agree with one person, you are disagreeing with someone else.
- Disagree--And Explain Why
- You need to do more than simply say you disagree with a particular view; you have to offer persuasive reasons for why you disagree.
- Demonstrate that you have something to contribute to the conversation.
- "Duh" move = disagreeing not with the position itself, but the assumption that is new.
- "Twist it" move = agree with the evidence that someone else has presented, but show through twist of logic that the evidence actually supports your own, contrary position.
- Qualifying (Agree and Disagree)
- Goes beyond and "is too/ is not" exchange.
- Keeps argument complex.
- You can tip towards agreement or disagreement depending on where you lay your stress.
- Answering the "who cares?" and "so what?" questions in your own writing.
- "Who cares?"
- Identify an interested person or group.
- Establish a type of contrast between what others say and what you say.
- Use of dramatic tension or clash of views helps your readers feel invested in what you are saying.
- "So what?"
- Link your argument to some larger matter that your readers already believe to be important.
- Hook your readers.
- Give real-world application of your claims.
- Frame it in a way that helps the reader care about it.
Tuesday, October 14, 2014
Literary Terms for Friday Quiz
irony
metaphor
metonymy
oxymoron
paradox
personification
simile
synedoche
understatement (litote)
asyndeton
polysyndeton
bildungsroman
Also know logos, pathos, ethos. See links for more information:
sixminutes.dlugan.com/ethos-pathos-logos/
Go to Top 20 Figures of Speech
Tuesday, October 7, 2014
CLOSE READING The Bluest Eye-- A very important post
Dear Scholars,
Today I can really begin to call you scholars because several of you read The Bluest Eye closely and offered interpretations of the text in class which may or not be accurate, but showed a new awareness of reading into "what a writer writes" and what he or she is trying "to achieve." This is the stuff of LITERARY ANALYSIS. It is what English majors truly enjoy in seminar discussions in class and what doctoral candidates and professors write books about in college.
Maybe some of you will understand that so many things in a literary text are very deliberate--symbols, names, settings, language, style, dialogue, characterization, etc.--all those literary elements that a writer employs to create LITERARY ART. Like painters, sculptors, musicians, actors,dancers, and other artists, writers use a craft with various techniques to try to achieve their artistic goals.
There are ways to talk about these things. That's what you're learning--a lot of jargon, technical terms, etc.
Still, nothing can replace your insight as a reader whatever literary approach you begin to favor.
Uh, oh, is Ms. Gamzon about to introduce LITERARY THEORY!
Yes. Hang on, because here it comes.
https://rak12ela11.wikispaces.com/file/view/The+Bluest+Eye+Intro.ppt
Today I can really begin to call you scholars because several of you read The Bluest Eye closely and offered interpretations of the text in class which may or not be accurate, but showed a new awareness of reading into "what a writer writes" and what he or she is trying "to achieve." This is the stuff of LITERARY ANALYSIS. It is what English majors truly enjoy in seminar discussions in class and what doctoral candidates and professors write books about in college.
Maybe some of you will understand that so many things in a literary text are very deliberate--symbols, names, settings, language, style, dialogue, characterization, etc.--all those literary elements that a writer employs to create LITERARY ART. Like painters, sculptors, musicians, actors,dancers, and other artists, writers use a craft with various techniques to try to achieve their artistic goals.
There are ways to talk about these things. That's what you're learning--a lot of jargon, technical terms, etc.
Still, nothing can replace your insight as a reader whatever literary approach you begin to favor.
Uh, oh, is Ms. Gamzon about to introduce LITERARY THEORY!
Yes. Hang on, because here it comes.
https://rak12ela11.wikispaces.com/file/view/The+Bluest+Eye+Intro.ppt
The Bluest Eye AUTUMN
AGENDA:
1. Go over Bluest Eye vocabulary for test Friday
2. Review Homework from last night--CLOSE READING of the prologues
3. Characterization in the Bluest Eye
STUDY GUIDE LINK:
http://academic.brooklyn.cuny.edu/english/melani/cs6/eye3.html
1. Go over Bluest Eye vocabulary for test Friday
2. Review Homework from last night--CLOSE READING of the prologues
3. Characterization in the Bluest Eye
STUDY GUIDE LINK:
http://academic.brooklyn.cuny.edu/english/melani/cs6/eye3.html
Monday, October 6, 2014
The Bluest Eye
AGENDA:
1. Go to library for book.
2. View and discuss videos
Videos--How Children View Skin Color
www.youtube.com/watch?v=PAOZhuRb_Q8&feature=fvw
www.youtube.com/watch?v=Aol--Ni6YS8
Dolls
www.youtube.com/watch?v=ybDa0gSuAcg&feature=related
www.youtube.com/watch?v=YOHbtM9463c&feature=related
20/20
www.youtube.com/watch?v=MTYn1WRCuoU&feature=related
Toni Morrison:
https://www.youtube.com/watch?v=BJ9vd0lLW2g
http://www.bing.com/videos/search?q=toni+morrison&FORM=VIRE2&adlt=strict#view=detail&mid=65D3864BE4CF5754827865D3864BE4CF57548278http://www.bing.com/videos/search?q=toni+morrison&FORM=VIRE2&adlt=strict#view=detail&mid=65D3864BE4CF5754827865D3864BE4CF57548278
3. Read Prologues
HMWK: For tomorrow, read to pg. 38
Wed. Finish section "Autumn" pg. 58
Thurs. Read "Winter" to pg. 80
Fri. Vocab quiz, Finish "Winter" pg. 93
Bluest Eye Vocabulary
- abhorrent: [adj] repellent, hateful
- acridness: [n] bitterness, acidity
- addled: [adj] confused in mind, irrational, nonsensical
- affluence: [n] wealth, state of material well being
- ameliorate: [v] to make better, to improve
- buffeted: [v] given blows, hits
- chafe: [v] to rub roughly
- chagrined: [v or adj] upset, bothered, irritated
- complement: [v] to harmonize with, as complementary colors
- covert: [adj] hidden, secret
- dirge: [n] sad, mourning song
- disinterested: [adj] without emotion or passion, detached, objective
- dissipation: [n] squandering energy often through drinking excessibely
- emasculate: [v] to deprive of manhood, to humiliate
- epithets: [n] informal names, terms to refer to someone either in an endearing or in an insulting way
- fabricate: [v] to build, to create
- fervently: [adv] passionately, with feeling
- fretful: [adj] anxious, bothered, worrisome, peevish
- fructify: [v] to make fruitful
- furtive: [adj] sneaking, hidden
- harridans: [n] shrews, scolding, demanding women
- interminable: [adj] neverending
- irrevocable: [adj] irreversible, incapable of being taken back
- malaise: [n] unease, illness
- metaphysical: [adj] larger or greater than the physical, concerned with philosophical or spiritual matters
- myraid: [adj] many, a multitude
- peripheral: [adj] on the outside edges
- pervade: [v] to infiltrate
- petulant: [adj] sulky, spoiled
- preen: [v] to admire oneself, to primp
- pristine: [adj] pure
- schemata: [n] order
- solicitous: [adj] concerned about
- soliloquoy: [n] (plural- soliloquies) speech spoken aloud to oneself
- consolidate: [v] to put together (to make "solid" various things)
- static: [adj] unchanging
- strident: [adj] loud, clamoring
- succumb: [v] to be defeated, to give up
- tacitly: [adv] silently, understood without spoken words
- timbre: [n] tone, quality of sound; as tone of voice
- unsullied: [adj] undirtied, unpolluted
Friday, October 3, 2014
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